Monster Show
Thur 13 February | 7.30pm | Full £8 | Concessions £5 | Age 16+
As the iconic 1931 film Frankenstein plays silently in the background, a lone creature stands on stage to perform the live score.
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As the iconic 1931 film Frankenstein plays silently in the background, a lone creature stands on stage to perform the live score.
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Come right in. Have a seat. Name your price.
Faust is a new version of a very old story, an interactive twist on the classic tale of the infamous doctor and his deal with the devil.
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A STORY ABOUT THE WORLD WE LIVE IN.
James has been touring his storytelling theatre shows for half his adult life. This year was different though. Returning home after his first stint away, he received a letter that exploded his life, and the tour became a search: for the person who sent it, for a sense of home, and to maybe save a life.
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Joe and his wife are having a baby. He’s autistic so statistically it’s quite likely the baby will be too. In this new show, critically acclaimed comedian Joe Wells explores fatherhood through the lense of neurodiversity.
Plus, there’s a really good joke about a parrot.
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mapdance 2025 offers an enticingly varied set of exciting new works by renowned and upcoming contemporary choreographers, plus the revival of Let Us Know You by Luke Brown from 2022-23.
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Join 3Fall Dance Company for their highly anticipated 2024/5 Spring Tour, celebrating over two decades of vibrant, non-profit contemporary dance.
This year’s performance brings together dynamic, diverse works by renowned choreographers KJ Mortimer, Lila Dance, and Glitch Dance Collective.
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Fusing performance art and very real and very live TikTok Experiences, join award-winning performance artist Louise Orwin as she cosplays as a TikToker in a real-life experiment hunting for fame and fortune.
Made in collaboration with an actual Famous TikToker, The Almighty Algorithm, and a host of TikTok-Famous Faces, FAMEHUNGRY asks what the future looks like when all roads lead to social media.
Like an episode of Whose Line Is It Anyway devised by Marina Abramovic
The Guardian (previous work)