The University of Chichester’s performance company, mapdance 2022 brings together 14 dancers, three newly commissioned dance works plus a restaging of Robert Clark’s Closer from 2021. Don’t miss this opportunity to experience dynamic, theatrical and beautifully crafted work by both established and emerging contemporary choreographers.
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Platform 4 presents: Triffids! a gig theatre adventure in music sound and pictures…
Meteors! killer plants! b movies! this remarkable collision of music, text and rich visual imagery takes the audience deep into John Wyndham’s classic cold war novel: the day of the triffids.Â
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After an exciting few years making and touring shows all over the world, Mercè and Patricia have somehow lost momentum and hit rock bottom. They always knew that making theatre would be difficult, but when they have to dress up as flamingos in a shopping centre to make ends meet, they seriously consider giving up.
Can their shared dream of staging Waiting for Godot get them back on track or will their long held ambition be strangled by red tape? A hilarious and sometimes moving exploration of companionship, co-dependency and what motivates us to keep going, even in the face of failure and bureaucratic brick walls.
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With storytelling, abstraction, nostalgia and hints of humour scattered throughout the works, this evening of eclectic dance repertoire showcases the future talent from the Dance Performance programme with works by Shaun Dillon, Antonia Grove and Amy Morvell.
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In this new piece, Bert and Nasi dance the end of their relationship, imagining what a future without each other might look like.
Above the stage and projected onto a screen, two parallel narratives run alongside each other: the end of the Earth and the end of their collaboration. In the vein of their previous work, it is a poignant, sad and funny account of the ongoing ecological crisis. Their dance is a reminder and a celebration of our own mortality, and that of everything around us.
Time unravels and stretches on into infinity, but the end has never seemed closer
Lyn Gardner, Stagedoor.
Both insistently silly and unreservedly heart-rending
★★★★ Guardian
Like shaking your muscles out, like a long-waited exhale of a show
Ava Wong Davies, Exeunt.